Kengo Kuma’s practice has been characterized by a commitment to using traditional materials and crafts in innovative forms and techniques. Pavilions have also played an essential role in processes of experimentation and development of ideas, in Kuma’s architecture practice as within the discipline. For this work at Lunuganga, Kuma drew inspiration from the outdoor furniture Bawa designed for Kandalama, a few of which are scattered across the garden, and the local kithul craft, where strands from the kithul flower are dried and woven into household objects. Working with a team shepherded by Disna Shiromali, a weaver based in Galle, and Indika Kumarasingha, a metalsmith based in Bentota, the pavilion was designed to offer a brief moment of repose and reflection through the framing of views. The pavilion can also be used for tea ceremonies and similar gatherings.
(Japanese, born 1954)
Kithul-flower weave over galvanized iron mesh support
Viewing “The Gift”: Open Sundays Programme