It is Essential to be There: Drawing from the Geoffrey Bawa Archive
House in Mirissa: Site Plan, drawing by Waruna Gomis, 1997
Geoffrey Bawa’s distinct practice as an architect began with the purchase of an abandoned rubber and cinnamon estate, which he would transform into the garden that is now Lunuganga, in 1948 – in the wake of the country’s newly gained independence from the British Empire. From this very first work the practice is marked by architecture that seeks to understand the notion of place.
In seeking to understand Bawa’s work through the lens of the Archives, comprised primarily of architectural drawings, a portrait of the practice comes in to focus. The drawings are unusually descriptive of place, beyond its location on a map, and place is explored in the many layers of culture, history and environment that characterize a site.
Although Bawa’s work has been exhibited in multiple venues in the UK, USA, Australia, India, Brazil, Singapore and Germany, this is the first exhibition on Bawa’s work to be shown in Sri Lanka.
The exhibition will be accompanied by a catalogue publication including essays by Sean Anderson, Shirley Surya, Tariq Jazeel, Jyoti Dhar, Shayari de Silva and a foreward by Channa Daswatte.
Venue: To be confirmed
Shayari de Silva
Shanika Perera, Thilini Perera & Chris Silva
Meghal Perera, Indeera Lokuliyana & Arundhika Weerasekera